| January 27, 2001 Twisted furor over schoolboy essay
Many say jailing not a case of censorship
Jonathan Kay
National Post
Margaret Atwood, Michael Ondaatje and other successful authors will meet in Ottawa
tomorrow to trumpet their support for an Ontario schoolboy charged with uttering threats
after he read a violent monologue in class. The fundraising event is called "Artists
for Freedom of Speech." But students and administrators at the Tagwi Secondary School
in Avonmore, Ont., say this case may have little to do with free expression.
The Tagwi (pronounced "tug-wuh") story, as it has been told, goes like this:
Following years of abuse from bullies, the boy (whose name cannot be revealed under
Canada's Young Offenders Act) read his drama classmates a story, which he titled Twisted,
about a boy blowing up a school. Though the monologue was fictional, fears of a
Columbine-style attack whipped the school into hysteria. Tagwi suspended the student as
punishment for what he had written.
The police, who also became caught up in the hysteria, used the same justification to
throw the child in jail where, owing to community fears, he was locked up for 34 days.
But interviews with students and staff members suggest that every element in this
narrative -- aside from the fact the defendant read aloud a story about a boy blowing up a
school -- is false.
Numerous sources, including four students in the boy's drama class who were present
when Twisted was presented, report he was neither disciplined nor criticized by school
officials for presenting his monologue .
"Everyone is concentrating on his class composition," says John Beveridge,
executive assistant to the director of education of the Upper Canada District School
Board.
"But when everything in the course of time is revealed, I'm quite confident it
will be shown that the Board and those involved are getting a bad rap."
Already, the school has disclosed the boy was not suspended and the police not
consulted until allegations surfaced that he made direct face-to-face threats to Tagwi
students in the days following the monologue.
Three of the four criminal charges against the boy pertain to alleged death threats to
specific classmates.
It also turns out the Crown had nothing to do with the boy's 34 days in jail. His bail
hearing was delayed at least three times -- always at the urging of defence counsel.
And yet one newspaper article published on Jan. 8 led with the chilling words,
"Writers beware -- your imagination could land you in jail," and quoted Frank
Horn, the boy's lawyer, as saying: "Does this mean writers will have to worry whether
they're breaking the law with every sentence they write? ... Can their imagination break
the law?"
This is the purportedly the first free speech case Mr. Horn has taken; his usual trade
is defending small-time criminals on charges of assault and public drunkenness.
Nevertheless, his comments have been reported widely, angering many at Tagwi, who feel
their school has been unfairly maligned.
"I think it's always easier to focus on the individual who [says he's]
oppressed," says Art Buckland, the Upper Canada District School Board representative
for the Avonmore area. "You can imagine a defence lawyer playing up the free speech
angle. He loves it."
Mary Mayer, Tagwi's principal, has denied Mr. Horn's suggestions all along. She
believes because the school's account of events has gone largely unreported, the public is
misinformed.
The fact is the school's decision to discipline the boy and consult police was based on
an alleged pattern of direct threats -- not the content of the monologue.
The controversy might have been cut short following the boy's bail hearing, at which
the Crown presented its charges. But the presiding justice of the peace, Basile Marchand,
declared a publication ban, so the dozen reporters present could not publish details of
the Crown's evidence.
As a result, Mr. Horn's position became the uncontested basis for media commentary and
literary outrage. The Globe and Mail's lead editorial of Jan. 9 asserted that, "A
16-year-old Ontario boy has spent more than a month in jail without bail because he wrote
a violent piece of fiction for a class assignment," adding rhetorically: "Since
when is fiction writing a crime in Canada? ... [T]he boy has harmed no one and has
apparently not uttered any threats directly."
But locals say all of this is wrong.
"This kid did not go to jail because he wrote an essay," says Cornwall
Standard-Freeholder crime reporter Frank MacEachern, who broke the story of the child's
arrest on Dec. 12.
"I do not think that the Crown attorney's office or school officials are stifling
free speech. Some of the writers who are rallying in defence of this kid on Sunday should
learn a little bit more.
"I doubt some of them would be attending this conference if they had sat in on the
bail hearing."
At Tagwi Secondary School, students laugh when asked whether the defendant might be a
victim of censorship. "Twisted was not the cause of the charges," says Grade 11
Tagwi student Marty Partridge, who saw the boy deliver the story in drama class.
"The text just created concern among the students. It was the [alleged] threats
afterward that got the cops involved."
Tagwi has been portrayed as a hotbed of teen alienation and hysteria.
Yet, by all accounts, it is an unusually safe and collegial high school. It is in the
middle of a sparsely populated rural area and many of the students are from families that
know each other well.
"Everything went by the book," says Tagwi student Kristina Jackson.
"The school is getting a bad rap for hysteria but it had nothing to do with that.
Principal Mayer warned [the boy] he couldn't make threats ... If something bad had
happened, what would people have said then?
"I don't know where the freedom of speech issue fits in at all. It's
irrelevant."
Although Tagwi students believe the boy is troubled, they also feel he has been
portrayed too sympathetically by the media.
According to the teen's parents, who were quoted at length in one series of newspaper
stories, the boy has been "scarred by years of abuse by the bullies he attends school
with." An Ottawa newspaper called Twisted a "cry for help."
But every student interviewed disagreed with this analysis, and countered that the
boy's outcast status was largely self-imposed.
His drama classmates, for example, say he sat at the back of the class, two rows behind
the other students and remained there when his teacher asked him to move forward and join
the rest of the class.
Tagwi student Meghan Baker, a "peer helper," says, "We'd make an effort
but he didn't respond. You'd walk down the hall and he'd ignore your gaze.
"As a peer helper, my job is to try to make people feel welcome. But it's a
two-way street. He [seemed to] enjoy being an outcast."
"Even if he received years and years of bullying," adds Meghan's sister
Melissa, who is the school's head girl and also a peer counsellor, "he was at this
school for only two months. And he was not bullied."
"He wanted to be adored for his contempt for authority," says Tagwi student
and drama classmate Cory Lafave.
"And when he wasn't, he didn't know how to deal with the neglect."
Students are also skeptical of claims by the boy's family that his behaviour was
precipitated by a bloody beating from a gang of 11 students a week before the Twisted
speech.
None of the students interviewed learned anything of this brutal beating -- which
allegedly took place on school grounds -- until after the Twisted controversy broke.
"Prior to the [controversy], we didn't hear anything," says Ian Derouchic,
Tagwi's head boy.
"In a school of 500 like this, a really small school, you would hear of someone
getting beaten up by 11 students.
"You'd hear about it if it were just one student. I might have seen, like, one
fight in the last two years."
Tagwi's drama students are particularly offended by the suggestion the school sought to
thwart the defendant's creativity. In fact, all four drama students interviewed said the
boy was generally tolerated by their teacher.
In one case, all four agree, he presented a Stephen King story to class as if it were
his own work.
"It was 'The Boogeyman' from the book Night Shift," Cory says.
"The stuff he was writing -- in most of it, he just used ideas from other
sources."
Mr. King was presumably unaware of this when he expressed support for the boy in an
interview, saying, "I am in total solidarity with that young man and admire him
because it shows again that the imagination is the most powerful force on Earth ... It
scares people and it has been a time-honoured custom to put people in jail or bully them
because of their imagination ... But their imagination is bigger than the people who bully
them."
"He's getting offers of scholarships," Kristina says. "We try so hard in
school and then this guy goes and [allegedly] utters death threats and suddenly he's going
to some event with Margaret Atwood."
"I wonder if she'd feel the same way if his story were about blowing up just the
female students in the school?" asks another student, who declined to have his name
printed.
"Our drama teacher has done nothing but support our artistic rights, our creative
imagination and our freedom of speech," says Ian. "I've seen many styles of
plays and scripts in our drama class, ranging from suicide to drugs use and death.
"Not once has our drama teacher ever held a student back from expressing
themselves on stage or in class."
"After [the defendant] performed Twisted, [the teacher] actually complimented him
for having written such a good piece," Cory says.
"And he said -- you know, in a nice way -- at least you wrote this one yourself
... One of the students in the class [then] said something mean about the script. The
teacher said, 'That's wrong, you're not supposed to do that,' and he made her
apologize."

Above: Ian Derouchic (left), Kristina Jackson (right)
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